Last week I came across one of my best finds yet: a Victorian photograph album from the 1870s, featuring a group of actors and their families. Beneath its tatty exterior, the album is a treasure trove of fascinating photos, many of which are surrounded by beautiful embellishments, hand-painted in watercolour:
For many of us, the word
Victorian is synonymous with respectability, discipline, temperance and piety. Photographs from the period seem to ratify this view, from the portraits of dour-faced, black-clad families to the arch-miserabalist herself, Queen Victoria.
However, the unsmiling faces were often the result of the ridiculously long exposure times, which required fixed expressions. The beauty of this album is that whilst it contains many conventional portraits, there are also quite a few snapshots of people smiling and having fun.
Unlike many of the albums I've come across, there are names, places and dates. For example, the two photos below have the caption
"Characters Represented in a Charade at 'The Bank'. Jan 17th 1873."
The gentleman in the
Widow Twankey outfit is called Charlie Wright.
On the opposite page, there is a scene from another production called
"The Proposal":
But it isn't just the theatrical productions that appeal. I also like scenes from family life, some of which are surprisingly relaxed and informal, by Victorian standards:
You might argue that whoever complied this collection had too much time on their hands, but compare this to the nadir of photo albums: the 1970s
Selfix variety, with adhesive pages and Kodak
Instamatic pictures. Not only were they hideously ugly, but they didn't even work. My parents' albums started to disintegrate in 1982.
Those were the days. Perhaps this genetleman would have eyed my car with envy, but I'd happily swap my boring, dependable
Citroën Xsara Picasso for a horse (top hat included, of course).
Was he a cad and a bounder? Did he get one of the maidservants up the duff?
What I like about this photo is that we may be looking at the face of a man who was born in the 18th century. He would certainly have been alive when the Battle of Waterloo took place.
There are many people in the album, but this page apears to include the major figures in the circle of friends and family.
This young man, adopting a
"So we meet again, Mr Bond" pose, is the centrepiece of the page. Who is he?
I've Googled the names - John Alfred Gotch, Rose H Marriott, Lionel L Powell, E Kate Hickson, Robert S Hawks and Charlie Wright. They have all drawn blanks apart from
John Alfred Gotch, but I think it may be a false lead.
The album doesn't mention where these people lived, but most of the place names mentioned are in Cheshire and Lancashire: Rock Ferry, Whitefield, Manchester and Southport. There also seems to be a connection with Melton Mowbray.
I shall have to do some more research. There is a story to be told, although I think it's unlikely that I have a bestselling non-fiction title in the making. Kate Sumerscale can sleep safely in her bed.
What strikes me most of all is what an interesting, likeable, rather Bohemian crowd of people they must have been (a stark contrast to the rather austere folk of Grimsby in the photos I published ten days ago). They appear to have led a rich life and come across as the antithesis of the stereotypical image of the Victorians.
How sad that this beautiful album almost ended up on a landfill site.
Ah yes, the good old days. Before mass-produced artificial fibres, sweatshops and corporate franchises, when people still knew how to make things. A time when quality was valued over quatity.
On reflection, I think I'll stick to Playmobil.
For many of us, the word Victorian is synonymous with respectability, discipline, temperance and piety. Photographs from the period seem to ratify this view, from the portraits of dour-faced, black-clad families to the arch-miserabalist herself, Queen Victoria.
Unlike many of the albums I've come across, there are names, places and dates. For example, the two photos below have the caption "Characters Represented in a Charade at 'The Bank'. Jan 17th 1873."
The gentleman in the Widow Twankey outfit is called Charlie Wright.
On the opposite page, there is a scene from another production called "The Proposal":
But it isn't just the theatrical productions that appeal. I also like scenes from family life, some of which are surprisingly relaxed and informal, by Victorian standards:
You might argue that whoever complied this collection had too much time on their hands, but compare this to the nadir of photo albums: the 1970s Selfix variety, with adhesive pages and Kodak Instamatic pictures. Not only were they hideously ugly, but they didn't even work. My parents' albums started to disintegrate in 1982.
Those were the days. Perhaps this genetleman would have eyed my car with envy, but I'd happily swap my boring, dependable Citroën Xsara Picasso for a horse (top hat included, of course).
Was he a cad and a bounder? Did he get one of the maidservants up the duff?
What I like about this photo is that we may be looking at the face of a man who was born in the 18th century. He would certainly have been alive when the Battle of Waterloo took place.
There are many people in the album, but this page apears to include the major figures in the circle of friends and family.
This young man, adopting a "So we meet again, Mr Bond" pose, is the centrepiece of the page. Who is he?
I found a wonderful book today called "Confidential Chats with Girls", written a century ago by a doctor called William Lee Howard.
