Showing posts with label hastings. Show all posts
Showing posts with label hastings. Show all posts

Tuesday, January 06, 2015

The Chapman Brothers in Hastings

This morning I drove to Hastings, listening to a woman taking about death. It was quite fitting, as I was on my way to see the Chapman Brothers' exhibition before it closes on Wednesday.

Jake and Dinos Chapman seem to have a knack of upsetting people. Their Facebook page includes the following comments:
  • "You guys are disgusting! Your work is coming from minds darkest places, you are doing anything to get fame. Shame on you both!" - Arash
  • "Prison is the only place you should be in! Shame you!" - Otta
Inspired by Bosch, Goya and the Holocaust, works like this excite strong feelings, from admiration to outrage:

I must be a bad person, as I admired the apocalyptic scenes of Nazi soldiers, skeletons and crucified Ronald McDonalds . I felt that the Chapmans' art had a clear moral purpose, compared to the lazy, sixth form humour of a work like Martin Creed's prize-winning 'The lights going on and off'.

Their art also made me laugh:

 Asked to explain the reason for the Ronald McDonalds, the Chapmans provided this explanation:

"We take McDonald’s as being a marker of the transformation from industrialisation to the end of the world. McDonald’s once represented the idealism of fast food and the space rest era. Now it’s consistent with the dilation of the ozone and a litigious clown who’s lost his sense of humour."

(Source - www.deliberation.info)

I'd always perceived the Chapmans as one-trick shock jockeys, gaining notoriety by deliberately picking the most contentious subjects. Visiting the exhibition made me revise my half-baked ideas, realising how much thought and hard graft had gone into their work.

In contrast to the horror and depravity of the Chapman Brothers' art, the De La Warr Pavillion in Bexhill is having an exhibition of art from the Ladybird books, beginning on January 24th. As a lifelong fan of Ladybird, I can't wait.

Saturday, March 07, 2009

Hastings


When I was 10, I was sent away to a children's home by the sea. Run by a charity, it was a rather strange place and wouldn't have been out of place in a Charles Dickens novel. My parents were only allowed to visit me once a month and when they arrived, I always begged them to take me to Hastings.

We even went there for a holiday. That's how good Hastings was.

Then, in the 1980s, things changed. Most people could afford to holiday abroad and the traditional British coastal resorts slowly died. In the case of Hastings, the local authorities entered into a Faustian pact in which unemployed people from different parts of Britain could leave their home towns and live in the local hotels and guest houses.

It seemed like a win-win situation.

The hotels had a guaranteed income and the unemployed were swapping an industrial town for a holiday resort. Unfortunately, although there may have been an injection of cash into the local economy, the end result was named by the tabloids as the Costa del Dole - a haven for petty thieves, drug addicts and teenage mothers.

I've no idea how much of this is true, but this image of Hastings, combined with the appalling transport connections, meant that it was one of the least desirable areas in Sussex. Silly people like me spent a fortune on tiny houses in Lewes, whilst the really clever ones bought beautiful, huge Victorian houses in the Old Town of Hastings.

I went to Hastings today for the first time in years. Parts of it are undeniably hideous and many of the locals look like the remnants of some failed experiment to cross-breed humans with apes, but I still really like it. If you want character, Hastings has it. If Hastings was a person, it would be a mad, alcoholic uncle who used to be a sailor. Never dull, slightly threatening and full of surprises.

The first surprise today was the West Hill Lift, a strange, Victorian funicular railway, tucked away in a back street:


For a mere £2, you can buy a return ticket that takes you up to Hastings Castle and a tourist attraction called Smugglers' Adventure. As a rule, I find that anything with the word adventure in it usually falls a long way short of anything approaching mild excitement, but I was pleasantly surprised.

Situated in a network of dimly-lit, man-made caves, Smugglers' Adventure managed to be both entertaining and informative, with an atmosphere that was spooky enough to excite children without completely traumatising them.

My son loved this bloodthirsty scene:


However I was more interested in this strange figure carved in the rock:


Its origins are unknown and whilst many believe it is a medieval saint, it is also possible that this is a much older pagan image that predates Christianity.

The more I looked at it, the more I was reminded of this character from Star Trek:


After the caves, we walked around the Old Town and explored some of the quirky, interesting shops. In one bookshop I found this beautiful edition of a novel by R.M.Ballantyne:


I was tempted to buy it just for the illustrations:


Not to mention this book plate:


I wonder who Bertie Mason was. Did he survive the Great War? When did he die? He may have descendants out there who would love to have this book.

I would have loved to have spent longer browsing through the shelves, but when you have a nine-year-old boy with you it's not possible. I shall have to return. This bookshop in particular appealed; the opposite of today's dull, sterile chain bookshops:



The Old Town is lovely and I started to wish that I'd been one of those forward-thinking Londoners who decided to forgo the dubious pleasures of a two-bedroom flat in Brighton for a four-bedroom Victorian house in Hastings. I'd be in excellent company, with at least two fellow bloggers as neighbours.

There's no denying that much of Hastings is rough, but even the less desirable parts of the town have some beautiful buildings that have a seedy opulence about them and perhaps Hastings' decline and poor transport links to London have saved it from the sort of gentrification that has turned parts of Sussex into extensions of Islington.

Before we left, we passed a boating lake that was closed for the winter:


Can you see a strange object in the foreground? On closer inspection it turned out to be a tiny bald, tutu-wearing doll, planted in the murky bed of the pond:

It was too big to be one of Slinkachu's Little People, but it wasn't there by accident.

Today's visit reminded me why I loved Hastings so much as a boy. Why had it taken me so long to go back?