During the last few days, our oven has exploded, the fridge has broken and my car's dashboard keeps flashing an orange light, warning of imminent doom. It feels as if we're in a Stephen King movie. As far as I know, there are no Native American burial grounds under our house, but we're near the site of the Battle of Lewes, so perhaps some tormented medieval souls are making their presence felt.
This morning I took the car to be serviced and walked home, cutting through some of the many twittens that are tucked away behind the main roads. Because it was so early, the sun was still low and I was struck by the contrast between the intense, golden light of the castle walls and the gloomy, muted colours of the narrow twittens.
I don't normally walk around thinking about light and shade, but last night I went to a fascinating talk about Eric Ravilious, given by author (and blogger) James Russell. Organised by the wonderful Much Ado Books, it was so successful that the venue had to be to changed to a larger place.
I'd say that there were at least 150 people at the talk - a number that any bookseller would be very happy with. Even the largest city centre stores struggle to achieve figures like that, so it's remarkable that an independent bookshop in a small Sussex village attracted such a good turnout.
It's a great tribute to both the growing popularity of Eric Ravilious and the marketing skills of Much Ado Books and James Russell.
I seemed to be the only person there under 50. I'm not quite sure why, although I know how difficult it is to do anything in the evening if you're in the tunnel of parenthood. Perhaps Banksy would have drawn a different crowd.
As for the talk itself, I think it would have been interesting even if I'd never heard of Eric Ravilious, thanks to James Russell's passion about his subject. Using a series of slides, he showed the contrast between Ravilious's paintings and the actual scenes. To a layman like me, it was a revelation.
For example, here is a lithograph that Ravilious made of Newhaven Harbour:
And here is the actual scene, which I've pinched from James Russell's blog:
I had no idea that Ravilous had excercised his artistic licence so liberally, compressing distances and altering the perspective to suit his purposes. That is one of the things that makes him a great artist, along with his ability to capture the spiritual quality of a place:
For example, compare this watercolour by Ravilious of the South Downs in winter:
With this traditional downland scene by a contemporary artist:
One is a work of great art. The other, I'm afraid, is a greetings card that I would send to someone to someone over the age of 90 (but only if they had advanced cataracts).
Perhaps my favourite Ravilious painting is 'Dangerous Work at Low Tide', which comes from the final years of his life when he was an official war artist. I bought a 420mm x 594mm print from the Ministry of Defence for the ridiculously cheap price of £18.
If this takes your fancy, you can buy it here.
Even if you only have a very casual interest in the art of the interwar years, I'd strongly recommend getting along to one of James Russell's talks. Recent venues have included London, Oxford and Bristol, so it's worth checking his blog to see where he's off to next.
Finally, a quick plug for Much Ado Books. The owners - Kate Olsen and Nash Robbins - ran a successful bookshop in Marblehead, Massachusetts for over 20 years before moving to Alfriston in Sussex. When 'Much Ado' first opened, I confidently predicted that they'd close within two years because Alfriston was too small to sustain a bookshop.
Instead, they went on to win the Independent Bookseller of the Year award and now have a thriving business which is an object lesson in how to run a bookshop in the age of Amazon and ebooks. It just shows how much I know.
In hindsight, they followed one of the golden rules of bookselling: open a shop where there are lots of posh people. Alfriston may be small, but it has a wonderful catchment area full of literary types who think that buying books at discounted prices from Amazon is insufferably vulgar. The owners have successfully exploited the area's Bloomsbury connection and both the stock and presentation are pitch perfect. It's hard to believe that they're relative newcomers to Sussex.
On April 22nd they're holding a book swap, hosted by Scott 'Me and My Big Mouth' Pack and Robert Husdon. The idea is that you bring a book that you love along and swap it for one you haven't read.
Frankly, if I love a book, I'm buggered if I'm going to let anyone else have it. I don't even lend books, so I'm not sure whether I'll go or not. Perhaps I could bring a book I'm not that keen on and pretend to like it, but I suppose that really isn't entering into the spirit of the occasion.
On the subject of books, I almost forgot to mention why James Russell was holding an event with Much Ado Books. He's written some books - beautiful, lavishly-illustrated hardbacks - that focus on different aspects of Ravilious's art. Here's one I bought earlier:
I wouldn't be tactless enough to include an Amazon link, but they are available from all good booksellers and, no doubt, some bad ones too.